In the vibrant tapestry of New York City’s creative landscape, a refreshing new thread has been woven. Lyle Gallery, a multidisciplinary exhibition space nestled in Chinatown, isn’t just another addition to the city’s countless galleries. It’s a deliberate and passionate platform at the intersection of art, design, and fashion, born from a queer, woman-owned perspective that informs its very essence.
For owners and married couple Lin and Magdalena Tyrpien, Lyle Gallery represents more than just a business; it’s a commitment to amplifying underrepresented creative voices often sidelined by the mainstream art world.
The Tyrpiens’ journey to gallery ownership was far from linear, a refreshing departure from the often-predictable paths of the art elite. For over a decade, Lin navigated diverse professional terrains, from the polished ateliers of Ralph Lauren and the hallowed halls of Christie’s to the tranquil landscapes of a Balinese guesthouse and the fiery sparks of an Arizona welding workshop.

It wasn’t until a serendipitous recruitment to New York’s Chase Contemporary gallery in February 2023 that her true calling resonated. “I had been searching for that ‘aha’ moment for 16 years,” Tyrpien reflects, highlighting the profound impact of this realization.
This newfound clarity ignited a desire to cultivate her own space, one that mirrored her values and vision. By May 2024, Lyle Gallery became a reality, its name conceived during a moment of relaxed brainstorming with Magdalena.
Located in the eclectic energy of Chinatown, the gallery stands as a testament to their shared ethos: to spotlight artists and businesses historically excluded from the dominant art narrative.
“We have zero interest in hearing from the same privileged groups that have dominated the arts scene for years,” Tyrpien asserts, her statement a clear declaration of intent. Their ultimate aim is to foster an environment that is both inclusive and deeply cherished.

Much like the artists they champion, Lin and Magdalena’s backgrounds diverge from the typical mold of New York City gallery owners. Both hail from working-class roots – Lin from rural Pennsylvania and Magdalena, an immigrant from Poland.
Their journey to establishing Lyle Gallery was self-funded and built on sheer determination. They’ve strategically divided the responsibilities of gallery ownership, with Magdalena expertly managing budgets, project logistics, and contracts, while Lin focuses on nurturing their artists, spearheading marketing initiatives, and curating compelling exhibitions.
Their recent exhibition, “Gathered,” which ran from March 21st to April 20th, beautifully encapsulated Lyle Gallery’s ethos. In collaboration with Erria, they invited makers from across the globe to explore the multifaceted concept of “home” through small, functional objects.
These handcrafted pieces became tangible representations of memory, resilience, and belonging, resonating deeply with the current global climate of shifting landscapes.

Lyle Gallery is further extending its reach through a collaborative event with Fierst Studio, “Drawing Objects We’re,” inviting the community to engage with the exhibited pieces in a creative and accessible way, proving that art appreciation extends beyond formal expertise.
The very foundation of Lyle Gallery is built upon the lived experiences of its owners. As a queer, woman-owned entity, this perspective permeates every facet of their operation, from the selection of artists to the collaborations they forge.
Their non-traditional backgrounds are not seen as a disadvantage but rather as a source of strength and a catalyst for empathy. “It’s a known fact that a lot of professionals in the art world come from a certain upbringing. But we’re proof that it doesn’t have to be the case,” Tyrpien emphasizes, acknowledging the obstacles they’ve overcome. Their commitment to keeping overheads manageable, choosing a location that prioritizes sustainability over superficial prestige, underscores their grounded approach.

Lyle Gallery stands as a beacon of possibility, demonstrating that passion, vision, and a commitment to inclusivity can indeed carve out a significant space within the often-insular world of fine art.
For the discerning EveryQueer reader, Lyle Gallery offers not just an opportunity to engage with compelling and thought-provoking art but also a chance to support a gallery whose very existence challenges norms and champions the voices that truly enrich our cultural landscape. It’s a space where lesbian leadership isn’t just a footnote, but the very foundation upon which a more equitable and vibrant art world is being built.




